One of the main elements of prep, in both film and television, is producing the shot list. This episode covers not only what a shot list is, how it should look, and whom to give it to, but also how to imbue camera instructions with emotion and personal investment. Extensive case studies from Lost and Marvel’s Agents of S.H.I.E.L.D. demonstrate the way personal experience can and should affect everything from lens choice to camera placement.
Perhaps the single most make-or-break element of directing is casting. It is also the element of directing that differs most between film and television production. This in-depth look at lessons learned from both film and TV, with case studies from Bobby’s independent films Manhood and Jack the D...
Ever-present in the high-stakes world of film production is the element of time. This episode covers the elements directors need to consider when collaborating with first assistant directors on building a schedule for the shoot, from juggling locations to working with different styles of cinemato...
The director’s role is like a conductor in an orchestra, synthesizing different components by working with heads of multiple departments. This episode takes a unique look at building and maintaining relationships with your crew, and examines one of most students’ greatest anxieties about filmmaki...